Issue 75 Imagination Imagination Spring 2025
Gal Hertz

Imagine Peace – Criticize War: Karl Kraus Reads Immanuel Kant

Cotham Marble, Bristol – England  4.5x10cm

אבן חלימה, מאוסף יהושע (שוקי) בורקובסקי

Six months before the end of World War I, Karl Kraus published in his satirical journal, Die Fackel (The Torch) a poem titled “Perpetual Peace.”  Kraus, a staunch critic of modernity, was no Kantian. In his writings, he often expressed reservations about liberalism and a naïve trust in Enlightenment ideals. Why did Kraus turn to Kant and used the “Perpetual Peace” for his critique of the war, which manifested the bankruptcy of German idealism? This article aims to address this question by focusing on the satirical dimension of Kant’s “Perpetual Peace.” Beyond its rational and legal framework, Kant’s essay is rich with literary and satirical allusions. It aims to transcend contractual order and rely on natural teleology rather than federal legal order. The essay’s literary citations and its unusual reliance on nature reflect Kant’s grappling with truth in politics and political imagination, a challenge that Kraus acutely identifies and emphasizes. By examining this intriguing convergence of Kant and Kraus (despite their differing approaches), I seek to outline a shared critical-moral project. This project extends the deontological morality and the discourse of rights, aiming to establish an anti-war moral imperative that holds both socio-historical and timeless validity.

Dr. Gal Herz is the head of the Visual and Material Culture Department at Bezalel. He is a Germanist and a cultural researcher. His research creates a connection between the history and philosophy of science and cultural studies. He examines the rise of social disciplines around 1900 in the German-speaking world. He holds a master’s degree and a doctorate from the Cohn Institute at Tel Aviv University, pursued post-doctoral studies at the Leibniz Center for Literary and Cultural Research (ZfL Berlin), and taught at both Humboldt University and the Free University of Berlin. After that he was co-director of the research project “Humanities in Conflict Zones” at the Minerva Humanities center and served as a research and teaching fellow at the Cohn Institute and the School of Cultural Studies at Tel Aviv University.

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